Though it has some close competition, this is my favorite John Waters movie. It’s a terrific balance of shock and plot, so while he makes great use of his hallmark gross-outs he also tells a good story. This is also one of his more personal pieces, sneaking in elements from his own obsessions. Ditto for Divine, who seems quite at home as the outrageous Dawn Davenport. Waters’s early-career ensemble unites here for the last time in a hilarious send-up of pop culture’s obsession with crime, a theme that remains eerily relevant even decades later. Buy the disc
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