Given how often vengeful spirits return for payback, I’m surprised witless teenagers bother killing anyone at all. So this is that. Production values are okay. Most of the actors have professional headshots on IMDb. But the story is strictly leftovers, and even the shocks that work get old after awhile. See if desperate
Saturday, June 14, 2025
Tuesday, June 3, 2025
Review – The Closet
Eh, it’s not the worst ghost story I’ve ever seen. Ghost kids have their pluses (creepy) and their minuses (often not all that menacing), which is very much the case for this elaborate Korean rework of Poltergeist. Mildly amusing
Sunday, May 18, 2025
Review – The Painted
This movie has two things in common with an average episode of Rod Serling’s Night Gallery series: it’s a supernatural thriller that centers around paintings, and it packed enough plot for around 20 minutes. Sadly, it’s feature length. The digital liquid effects are fun when evil spirits emerge from or return to their canvases. Otherwise this is a mostly dreary ghost story with some awkward anti-porn subtext. Mildly amusing
Thursday, June 15, 2023
Review – Brooklyn 45
The combination of the single room setting and dreadful dialogue make this production reek of a sophomore-level playwriting assignment. I was intrigued by the notion of a seance dredging up supernatural fallout from war crimes, but the premise is swiftly buried under a mountain of ill-conceived character motivations and a relentless stream of bickering. The inattention to detail is also nettlesome. For example, one of the characters committed an atrocity in Berlin during the war, but the US Army didn’t enter that city until after the war in Europe ended. The incident could easily have been located somewhere else in Germany, which showcases the sloppy approach to storytelling here. And though the cast is populated with some semi-familiar faces, almost all the actors are too old to have recently done military service. Maybe if it had been Brooklyn 65 instead? See if desperate
Friday, April 22, 2022
Review – The Deep House
I understand why guy-with-a-camcorder movies tend to suck. If you’re spending next to nothing to create your magnum opus, you don’t have much incentive to make anything that audiences might actually enjoy. But this isn’t guy-with-a-camcorder drivel. This is a story about a pair of social media producers who scuba dive down to a submerged house, remove a crucifix from the basement door and suffer the consequences. Most of the movie takes place during the dive, requiring a considerable amount of expensive underwater set and camera work. Those parts of the production were genuinely impressive (other than some small details such as modern-looking door handles in a house that had supposedly been at the bottom of a French lake for decades). Unfortunately, the story is nowhere near the equal of the technical quality. The movie hits its halfway point before anything even vaguely supernatural happens. And the script of the back half – consisting mostly of “Ben! Answer me!” screamed over and over – would have been way better suited for extreme low budget garbage than for something that should have been good. And the filmmakers seem to have given almost no thought at all to how viewers would react to the “running out of air” motif. If the protagonists are going to drown no matter what they do, being chased by ghosts is kinda beside the point. I was even disappointed by the bit at the end of the credits, which could easily have been more clever. See if desperate
Tuesday, March 8, 2022
Review – Scary Stories to Tell in the Dark
Going into it, the folks who made this movie must have realized that they weren’t going to be able to create anything as eerie as the Scary Stories to Tell in the Dark book series, especially not Stephen Gammell’s excellent art work. So they didn’t bother to try. Instead, this is a handful of elements from the books stirred into a gumbo with everything from high school bullies to the Vietnam War. The main thread is about a ghostly manuscript that writes itself, bringing doom to all who find their stories told within its pages. Mildly amusing
Saturday, February 5, 2022
Review – Ouija: Origin of Evil
This production started with two strikes against it: it’s a sequel to an uninspiring horror movie, and its premise is as cliché-ridden as they come. Though the characters and the story do indeed turn out to be on the stale side, the production has some fun moments, too. Some of the scares are good, though they return to the same wells too frequently. And on the technical side, the director added some quirky touches to make the movie look more like it was shot in the early 1970s. Mildly amusing
Friday, February 19, 2021
Review – Shutter (2004)
I’m fond of those rare moments when folks making a horror movie can start with a good concept and then do something good with it. The theme here is spirit photography, a subject with great potential to either provide genuine scares or descend into cliché-ridden nonsense. Fortunately the folks who made this Thai production chose the first path. To be sure, parts of this movie are hard to watch (particularly the sexual assault). But overall this supernatural revenge picture is an impressive assembly of coherent story, good acting and some genuine creepiness. Worth seeing
Friday, December 18, 2020
Review – Ghosts of War
Why is it so goddamn hard to combine the war and horror genres? They seem like they’d go well together. Yet this is the umpteenth attempt I’ve seen that starts out solidly enough but then can’t seal the deal. The plot drops a small group of WW2 GIs into a haunted mansion, and at first it plays as a standard ghost story. Then it starts to meander, becoming implausible even with the extra latitude due a supernatural tale. And as if the filmmakers realize it’s going off the rails, they lean into the skid with a shaggy dog twist. They might have gotten away with it if that had been the punchline that ended the joke. But it kept going from there. Perhaps they were trying to draw some kind of awkward parallel between Nazis and ISIS, but any point they were trying to make got lost in the inept storytelling. See if desperate
Friday, July 10, 2020
Review – Malicious
Tuesday, June 16, 2020
Review – Lights Out
Tuesday, June 9, 2020
Review – The Quiet Ones
Thursday, June 4, 2020
Review – Our House
Tuesday, April 28, 2020
Review – The Curse of La Llorona
This is by far my favorite entry in the Conjuring universe, at least in part because I had no idea until midway through that it was even intended to be part of the set. No Warrens. Only a brief, irrelevant glimpse of Annabelle. Instead of the series standbys, we get a genuinely scary antagonist from Mexican folklore. A social worker and single mom (Linda Cardellini) finds herself pitted against the infamous child-snatching ghost. Worth seeing
Friday, March 6, 2020
Review – Ghost Stories (2020)
Despite the unimaginative title, this quartet of supernatural tales from India is quite good. Though naturally some are better than others, the set is stylish as well as spooky. Mildly amusing
Monday, June 24, 2019
Review – Winchester
The true part of this story is familiar enough: Sarah Winchester, widow of the firearms manufacturer William Wirt Winchester, believed she was being haunted by the ghosts of people slain with her husband’s rifles. So she had a mansion built (and built and built) with no end of eccentric details in order to placate and/or befuddle the restless dead. Simply positing that her ghosts were real should have been enough to sustain a good horror movie, especially with Helen Mirren in the title role and permission obtained to do at least some of the filming in the real location. Alas, the plot never finds a way to get off the ground. Mildly amusing
Monday, June 3, 2019
Review – Insidious: The Last Key
Yeah, I’ve seen the word “last” in horror franchise titles before. In this one, Dr. Elise Rainier (Lin Shaye) is asked to help the current occupants of the haunted house where she grew up. The story features an unpleasant subplot about child abuse, but otherwise it’s what fans have come to expect from the Insidious series. See if desperate