After finding some success with his version of Murder on the Orient Express, Kenneth Branagh once again pastes on Hercule Poirot’s ridiculous moustache for this similarly familiar Agatha Christie classic. Between the cast, the costumes and the sets, they spent a pretty penny on this production. And as a result they got a pretty picture. Despite all the red herrings, the ending seemed kinda obvious, especially for Christie. But the journey was entertaining enough to keep the destination from being too much of a disappointment. Mildly amusing
Saturday, April 2, 2022
Review – Death on the Nile (2022)
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