Shonda Rhymes starts with a magazine article about a run-of-the-mill con artist and magnifies it into a nine-part miniseries, embellishing along the way. In truth, Anna Sorokin (Julia Garner) – better known to the world as Anna Delvey – barely counts as a con artist. She ran a simple fraud scheme on some high profile New York financiers and spent a lot of time in hotels without paying. So she seems less like a gifted grifter and more like a blend of common thief and delusional child. The trouble with stretching her story from an average-length movie to more than nine hours of screen time is the complete absence of sympathetic characters. Anna herself might have made a good anti-hero, but she provokes too many uncomfortable situations; if you’ve ever had a card declined in a restaurant, she’ll treat you to plenty of chances to relive the experience. Reporter Jessica Pressler’s fictional stand-in, Vivian Kent (Anna Chlumsky), might have seemed heroic if her obsessiveness hadn’t driven her to multiple breaches of journalists’ ethics. Everyone else – from bankers to lawyers to the sycophants who attach themselves to Anna because they think she’s rich – manage to seem loathsome just by being themselves. With no characters worth caring about, this just wasn’t engaging enough to justify its running time. Mildly amusing
Sunday, March 13, 2022
Review – Inventing Anna
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