I made the mistake of watching this back to back with the original, which served to accent the utter charmlessness of the sequel. Rather than a cohesive story, this is more of an assemblage of inside jokes and other sub-references. Typical of the experience is the musical number: Harry Belafonte gives way to an awkwardly-choreographed and far too long lip sync to “MacArthur Park.” Between the odd bits of improv and dancing around absent cast members from the first one, there just isn’t enough to make this entertaining. See if desperate
Saturday, January 11, 2025
Review – Beetlejuice Beetlejuice
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