Friday, April 26, 2019
Review – A Quiet Place
Someone more clever than I pointed out that the same people who did the Bird Box challenge should be encouraged to do something similar with this production, seeing how long they can go without making a sound. The premise – society has been destroyed by alien monsters that hunt entirely by sound – is at least original, and in places it manages some clever moments. The movie also does a good job of slowly revealing the monsters themselves. It was nice to see filmmakers put some thought into their work for a change. Worth seeing
Review – Saturn 3
Return now to the ancient days of 1980, when a brief glimpse of Farah Fawcett's boobs was enough to draw audiences to a thoroughly insipid movie. Kirk Douglas and Harvey Keitel take turns chewing the scenery in an outer space rework of the Frankenstein story. The monster here is a eight foot tall robot with a super teeny head, depriving it of a considerable amount of scare power. See if desperate
Friday, April 5, 2019
Review – Apostle
Imagine The Wicker Man only way, way dumber. Our hero arrives on a small, isolated British isle trying to solve a mystery, only to find himself thwarted by the strange, cultish islanders. Current horror movie tropes – particularly excessive gore – replace what little charm this production might otherwise have mustered. And gut-wrenching violence makes a poor substitute for more subtle terrors. At least it packs a happy ending, if you feel like horror movies need that sort of thing. See if desperate
Review – The Autopsy of Jane Doe
It's just so hard to make a horror movie set in a single location without making it look like it began life as a stage play. And the theatrical nature of this production does nothing to counter the stiff feeling of the story (pardon the pun). Like many other unexplained horrors, the strange nature of the anonymous woman's corpse loses a lot of its power to scare once it's explained. As a result, Brian Cox's scenery chewing becomes the most frightening element of the show. Olwen Kelly's ability to hold perfectly still and hold her breath for lengthy shots is impressive, but the overall rating is nonetheless dragged down by the violent death of a house cat. Wish I'd skipped it
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