Poor Katherine Parr. If she’d been married to any other English monarch, she would have been a memorable queen. But pitted against Henry VIII’s previous five, she tends to end up as a bit of a footnote. So at last here she gets her own movie. The fictional twist at the end increases the entertainment value of a production that’s otherwise a bit on the dull side (unless you’ve an affection for abusive husbands with dementia). Mildly amusing
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